Anna
Which brings us to the often delirious yet discomforting unreality of most museum exhibitions devoted to high fashion. These shows almost invariably chronicle the lifestyles and shifting, usually unattainable ideals of femininity of the leisure class. But they also reflect larger, historical trends in taste, mores and wealth, while encapsulating the technical innovations, artistic sensibilities and fantasies that perpetually trickle down to the less expensive, more utilitarian designs most women wear.